Tuesday, June 27, 2023

The Dream

tinyurl.com/the-dream-by-raven

Friend, when you and I were younger, and the world was strange and vast,
How our eager hearts would hunger for the legends of the past:
Dreams of swords and spears uplifted, gleaming armour in the sun,
Streams of banners bravely flying where the battle had begun.
Oh, to see the truth triumphant, setting Right ahead of Might,
Hear the gentle judgments afterward, at Court by candlelight,
Or the revelry and laughter while the merry minstrels sing
Of Heorot Hall with Grendel gone, or Camelot in Spring.

     We have joined in joy and sadness with each hero in his plight,
     Shared the fine inspired madness of La Mancha’s woeful knight;
     Parents little know the path they chart for children when they bring
     All the stories, songs, and sagas about Camelot in Spring.

How those visions filled our childhood, strengthened us as nothing could,
Put our world in moral order, set our standard of the good;
For the lessons that we heeded, shining from the printed page,
Were the virtues that were needed to bring on the Golden Age.
But perhaps our elders mocked our dreams of dragons on their hoards,
So, for lack of worthy foes, we packed away our magic swords;
Then our schools and jobs distracted us with all the work they bring,
And no more we thought of Heorot, or Camelot in Spring.

     Bid farewell to bold adventures and our comrades of the mind,
     To the Wizards wise and subtle, and the Ladies fair and kind,
     To the Knights of the Round Table, and the Fellows of the Ring;
     Farewell Narnia and Middle-Earth and Camelot in Spring.

But when danger came to challenge us, and fear cried, “hide or flee”,
What compelled us to embrace the threat, and not the coward’s plea?
Was it that we found the courage to confront it on our own,
Or had help from him of Heorot who fought the troll alone?
And the day we faced injustice, hypocrites who held truth caged,
Then we showed our true upbringing when our indignation raged,
Saying, “THIS is not the right way, THIS would not have pleased the King
Who set justice at the Table Round, at Camelot in Spring!”

     And we’ve mourned for other dreamers who had followed the same star,
     And who died before they ever knew if truth would win the war;
     But their names still live within us, and in legend they will ring
     Along with those of Heorot and Camelot in Spring.

What though now our world grows older, and our castles fade away?
Still our dreams can make us bolder, bear our standards through the fray;
Still the quest for honour bids us battle lies and unjust laws;
Still the memory of heroes gives us comrades in our cause —
Beowulf and mighty Arthur, they knew what the battle cost;
And their songs may lend us courage when we feel alone and lost.
Even in the darkest Winter, we can raise our voice to sing
Of the vision of the glory that was Camelot in Spring.

     What if we should be forgotten, all our efforts go in vain,
     Hopes and plans die misbegotten, with but insults for our pain?
     What if no-one hears our story? Still, they’ll know us when they sing
     Of all those who dreamed the glory that was Camelot in Spring.

October 6, 1991 © C.M. Joserlin, “Raven”

In memory of Sergei Ivanovich Zaroodny, 1821-1887 and 1910-1981,
both of whom fought to bring a just world into being.
Their name has outlived tyranny.

[The Suno AI has composed and performed a tune for this song.]

Initiate

tinyurl.com/initiate-by-raven

I have seen the sun at midnight, slain the bull at his command,
Used the power of the crystal, felt the force direct my hand,
Thricefold served the silver lady, sailed upon the darkest sea,
Counted corpses in the forest, chanted runes upon the tree;

I have spoken words of power, summoned Hiram from the grave,
Sung Eurydice to ransom, called ʼPhrodite from the wave,
Iʼve recited rhymes by order, chimes that echoed in the brain,
That excited love and joy — or hate and sorrow, fear and pain;

I have built the greater temple and survived the tests inside,
I have stepped on earth and water and been pierced in feet and side,
I have danced around the fire, walked the circle semi-clad,
I have chased the beasts and shared the feasts of bread and wine we had;

I have traveled to the hidden centers, studied in their lore,
Listened to the quiet murmurs and looked deep into the core,
Bound strong servants to their duties, striven long within the craft,
Drawn the dirk and done the work, while being warded fore and aft;

ʼTill the flower opened to me and I learned the secret ways,
Found the stone and on me shone the black and white and ruddy rays,
Saw with many-coloured vision and through many changes passed,
Let myself become myself, and reached my mastery at last.


           © 1984 C.M. Joserlin, “Raven”

For clarity: this echoes the "I have beens" of Welsh bards in a 'pied' conflation of the various initiatory traditions and legends, from Egypt and Greece to Wales and Scandinavia, cf. The Golden Bough by Sir James Frazer and The White Goddess by Robert Graves. For instance, the first half-stanza was a pass-phrase of the Eleusinian Mysteries. If you think of a certain Biblical character as having "stepped on earth and water and been pierced", look up the story of Llew Llaw Gyffes. Both Jesus and Odin were hung "upon a tree", both Mithraists and Egyptians ritually slew bulls, both alchemists and Freemasons speak of “the Work”, both the Battle of the Trees and the Grove of Nemi left "corpses in the forest", etc. The last line may refer to the Bhagavad Gita (6:5) — "Lift up the self by the Self, And don't let the self droop down; For the Self is the self's only friend, And the self is the Self's only foe." Or perhaps it may refer to the Holy Guardian Angel, or some other form of Avatar; who can say, in such an eclectic verse?

[The Suno AI has composed and performed a tune for this song.]

π•Ώπ–π–Š 𝕬𝖗𝖙 𝖔𝖋 π•Έπ–†π–Œπ–Žπ–ˆ (𝔬𝔯 𝔳𝔦𝔠𝔒 π”³π”’π”―π”°π”ž)

tinyurl.com/art-of-magic
β„‘ 𝔀𝔯𝔦𝔫𝔑 π”ͺπ”’π”±π”žπ”© π”žπ”«π”‘ 𝔰𝔱𝔬𝔫𝔒 𝔱𝔬 𝔭𝔬𝔴𝔑𝔒𝔯,
π”°π” π”―π”žπ”­π”’ π”©π”žπ”ͺπ”­π”Ÿπ”©π”žπ” π”¨ π”žπ”«π”‘ 𝔰𝔦𝔣𝔱 𝔑𝔯𝔢 π”’π”žπ”―π”±π”₯𝔰,
𝔱π”₯𝔒𝔫 𝔭𝔬𝔲𝔯 𝔣𝔯𝔬π”ͺ 𝔱π”₯𝔒 π”žπ”©π” π”₯𝔒π”ͺ𝔦𝔰𝔱’𝔰 𝔯𝔒𝔱𝔬𝔯𝔱,
π”žπ”«π”‘ 𝔬𝔦𝔩 𝔭𝔯𝔒𝔰𝔰𝔒𝔑 𝔣𝔯𝔬π”ͺ 𝔱π”₯𝔒 𝔰𝔒𝔒𝔑 𝔬𝔣 π”£π”©π”žπ”΅.

ℑ𝔫 𝔬𝔫𝔒 π”₯π”žπ”«π”‘ β„‘ π”₯𝔬𝔩𝔑 π”ž π”΄π”žπ”«π”‘ π” π”žπ”―π”³π”’π”‘ 𝔬𝔣 𝔴𝔬𝔬𝔑
π”žπ”«π”‘ 𝔱𝔦𝔭𝔭𝔒𝔑 𝔴𝔦𝔱π”₯ π”ž 𝔱𝔲𝔣𝔱 𝔬𝔣 π”₯π”žπ”¦π”―;
𝔦𝔫 𝔱π”₯𝔒 𝔬𝔱π”₯𝔒𝔯 β„‘ 𝔩𝔒𝔳𝔒𝔩 π”ž 𝔰π”ͺπ”žπ”©π”© π”£π”©π”žπ”± π”žπ”©π”±π”žπ”―
𝔴𝔦𝔱π”₯ 𝔬𝔣𝔣𝔒𝔯𝔦𝔫𝔀𝔰 𝔬𝔣 π”ͺπ”žπ”«π”Ά 𝔠𝔬𝔩𝔬𝔲𝔯𝔰.

β„‘ π”°π”±π”žπ”«π”‘ π”Ÿπ”’π”£π”¬π”―π”’ π”žπ”« π”’π”΅π”­π”žπ”«π”°π”’ 𝔬𝔣 𝔠𝔩𝔬𝔱π”₯,
𝔭𝔲𝔱 π”Ÿπ”―π”²π”°π”₯ 𝔱𝔬 π” π”žπ”«π”³π”žπ”°,
π”žπ”«π”‘
           π–•π–†π–Žπ–“𝖙           
π”Ÿπ”’π” π”¬π”ͺ𝔒𝔰 𝔩𝔦𝔀π”₯𝔱,
π”Ÿπ”’π” π”¬π”ͺ𝔒𝔰 𝔰π”₯π”žπ”‘π”¬π”΄,
π”Ÿπ”’π” π”¬π”ͺ𝔒𝔰 𝔣𝔩𝔒𝔰π”₯ π”žπ”«π”‘ 𝔰𝔭𝔦𝔯𝔦𝔱,
π”Ÿπ”’π” π”¬π”ͺ𝔒𝔰 π”’π”žπ”―π”±π”₯ π”žπ”«π”‘ π”žπ”¦π”― π”žπ”«π”‘ 𝔣𝔦𝔯𝔒 π”žπ”«π”‘ π”΄π”žπ”±π”’π”―,
π”Ÿπ”’π” π”¬π”ͺ𝔒𝔰 𝔒𝔳𝔒𝔯𝔢𝔱π”₯𝔦𝔫𝔀 π”ͺ𝔢 π”ͺ𝔦𝔫𝔑 π” π”žπ”« 𝔠𝔬𝔫𝔠𝔒𝔦𝔳𝔒.

ℑ𝔣 𝔱π”₯𝔦𝔰 𝔦𝔰 𝔫𝔬𝔱 π”ͺπ”žπ”€π”¦π” ,
𝔱π”₯𝔒𝔫, 𝔱𝔒𝔩𝔩 π”ͺ𝔒,
𝔴π”₯π”žπ”± 𝔦𝔰?



© 1999 C.M. Joserlin, “Raven”

[The Suno AI has composed and performed a tune for this song.]